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Concert

Joan Bosch, traverso • Marco Brolli, traverso

Sunday, October 5, 2014 • Church of Bursins

Programme

  • Joan Pla • Sonata VI in G major
  • Joan Pla • Sonata III in e minor
  • Joan Pla • Sonata IV in C major
  • Carles Baguer • Duos

CD

The duo will lounch it’s new CD during the festival:  “A pleasing agreable style” • Duetti per flauti • Joan Pla, Charles Baguer

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Joan Pla • Charles Baguer

The Joan Pla collection of six sonatas for two flutes and
the Carles Baguer eight duos for two flutes, are one of the few examples of chamber music of the eighteenth century Catalan. This music shows the compositional evolution in Catalonia in the last years of the Enlightenment.

Joan Pla, between Baroque and Classicism, a personal representative, is a follower of fashion gallant international European instrumental music of the

years 1750-1760. His sonatas for two flutes were written during his stay in London and published in Amsterdam and London in 1770. Following the inflections of the amiable gallant and rococo style, each sonata was written in three parts, we find the traditional alternating fast-slow-fast.

Carles Baguer was the greatest follower of the master Franz Joseph Haydn in the Iberian Peninsula, is the most important representative of Classical

instrumental in Catalonia at the end of the eighteenth century. Until that time the borders were not closed by the Napoleonic invasion in 1808, Baguer received and studied several works of Austrian composer. Their duets are a sign of great love for the new way of understanding the new Menuet. Similarly, the richness of articulation of classicism is very noticeable.Must be preserved in the Music Archive of the Monastery of Montserrat

Joan Bosch, traverso

Joan Bosch Anton, born in Caldes de Montbui, started his musical studies there at the town’s school of music. He studied modern flute with Vicenc Prats and Magdalena Martinez.

Alain Polak introduced Joan to the world of historic instruments. As a student of Marc Hantai in the Escola Superior de Musica de Catalunya, he receives suggestions assiduously from Wilbert Hazelzet (soloist for the Orquestra barroca de Amsterdam). In 2008, Joan earned a degree in interpretation with the historic baroque flute. Joan works as a teacher at Conservatorio Josep Maria Ruera de Musica in Granollers, where he is the director of the Department of Ancient Music (www. emruera.com).

Joan has performed throughout Europe playing with many orchestras and ensembles (Virtus Ensemble, Grup Tenero, Trio Manuel Valls, Orquestra del Reial Cercle Artistic, Caldara Ensemble, La Principessa Filosofa, Divino Sospiro, Academia 1750, Orquestra Barroca Catalana, Ludovice Ensemble with directors like: Ottavio Dantone, Marek Strynkl, Alfredo Bernardini, Enrico Onofri , Paul Woodwind and musicians like: Marc Hantai, Kenneth Weiss, Jacques Ogg, Wilbert Hazelzet, Isabel Rey.

Marco Brolli, traverso

Born in Milan in 1970. He studied Flute at the Civica Scuola di Musica of Milan with Maurizio Pizzigoni. He graduated at the Conservatory “B. Marcello ” of Venice, then attended masterclasses with Maxence Larrieu. Afterwards he began studying Traverso and early music performance practice with Karl Kaiser, Marc Hantaï, Marten Root, and others.
He regularly collaborates as soloist or as first flute with the most prestigious ensembles of baroque music, including Il Giardino Armonico (G. Antonini), Accademia Bizantina (O. Dantone), La Risonanza (F. Bonizzoni), Il Complesso Barocco (A. Curtis) etc..; with them he performs at the most important music festivals and international concert seasons.
He made several CD and DVD recordings for the labels Sony Classical, Decca, Deutsche Grammophon, Virgin, Naïve, Winter & Winter, Teldec, Chandos, Stradivarius, Amadeus and radio broadcast recordings and interviews for WDR, RTSI, RAI, Radio France and Catalunya Música.
    In 1998 he graduated with highest honors in History and Teaching of Music at the “School of Musical Paleography and Philology” in Cremona (Italy) with a specific thesis on the flute.
Since 2013 he is Traverso professor at the Conservatory “A. Boito “of Parma and at the Civica Scuola di Musica of Milan (Italy) He is often invited to give masterclasses in Traverso and early music performance practice at several conservatories and music institutes.